Marta PCampos

CV

Marta Pérez Campos, 1990, Zaragoza (ES).

PhD candidate at the Department of Art and Technology of the UPV/EHU Bilbao (2019 – present), Spain.
Master Interface Cultures at the Kunstuniversität Linz (2014 – 2018), Austria.
Bachelor in Fine Arts at the University of Zaragoza (2008-2012), Spain.

Artistic Residencies:

2019
Hedy Lamarr FZCC, Etopia. Center for Art and Technology, Zaragoza (ES).
2018
Open Call Laboratory 987, MUSAC: Contemporary Art Museum of Castilla y León, León (ES).
2017
Research Residency at IAMAS: Institute of Advanced Media Arts and Sciences, (April – June), Gifu (JP).
2016
Reverberadas: European Network of Art and Science, Etopia: Center for Art and Technology, Zaragoza (ES).

Solo Exhibitions:

2021
1914-2014, Centro de Historias, Zaragoza, (ES).
2019
1914-2014, Instituto Cervantes, Madrid, (ES).
2018
1914-2014, MUSAC: Contemporary Art Museum of Castilla y León, León (ES).
2012
The error and the voice, exhibition room CMU Pablo Serrano, University of Zaragoza, Teruel (ES).

Group Exhibitions:

2020
Cinco itinerarios con un punto de vista. Colección MUSAC. MUSAC: Contemporary Art Museum of Castilla y León, León (ES).

2018
Somos Makers, Etopia. Center for Art and Technology, Zaragoza (ES).
BestOFF 2018, Kunstuniversität Linz, Linz (AT).
I International Congress Atenea: Women artists, technologists, UPV Valencia, Valencia (ES).
BMM: Bienal Miradas de Mujeres,  online exhibition.

2017
The Wrong – New Digital Art Biennale, Equivocations Pavilion, online exhibition.
Schmiede – Playground of Ideas, Hallein, Austria.
Plastic Planet, Azkuna Zentroa, Bilbao (ES).
Participant at  ‘Diffractive Interfaces’, Sonar 2017, Barcelona (ES).
IVAHM International VideoArt Festival, Centro de Artes de Vanguardia La Neomudejar, Madrid (ES).
Selected project at Tricky Women Festival 2017,Vienna (AT).
Appdate. Ausstellung zu App-Kulturen und App-Kunst, Neuwerk in Konstanz (DE).

2016
IV Jornadas de Divulgación Innovadora, Etopia. Center for Art and Technology, Zaragoza (ES).
xCoAx 2016, GAMeC, Bergamo (IT).
Reverberadas: Exploraciones sobre arte digital y ciencia, Etopia. Center for Art and Technology, Zaragoza (ES).
“9 encuentros”. Exposición colectiva de nueve graduados en Bellas Artes, Teruel (ES).
‘Lange Nacht der Forschung’ exhibition, Kunstuniversität Linz (AT).
Splace Magazine exhibition, Kunstuniversität Linz (AT).
Selected project at Radar Award 2016 – student film program, Metro Kino, Vienna (AT).

2015
The Wrong. New Digital Art Biennale, Interface Changes Cultures Pavillion, online exhibition.
push.conference – UX UI Creative Technology, Alte Kongresshalle, Munich (DE).
Post Post: Interface Culture @ Ars Electronica 2015, Linz (AT).
Into the Web – Web Sciences Journal, Kunstuniversität Linz (AT).
IVAHM International VideoArt Festival, Centro de Artes de Vanguardia La Neomudejar, Madrid (ES).
IV Festival Aragonés de Cine y Mujer, Andorra, Teruel (ES).
Unmade Displays, FilmForumFestival Udine, Udine (IT)
Muggesturm am Müggelsee, Alte Schule Adlershof, Berlin (DE).

2014
Interface Culture Musikkapelle, bb15, Linz (AT).

„I <3 Kunst”, Kunsthalle at Kunsthochschule Weissensee, Berlin (DE).
Sesión POOL (with Galería Alternativa), Campo de Cebada, Madrid (ES).

2013
Proyector13. 6º Festival Internacional de Videoarte, Madrid (ES).

„Reflejos“, Galeria Alternativa, Zaragoza (ES).

2012
De la Web a la Pared, IAACC Pablo Serrano, Zaragoza (ES).
Lars von Triers „Gesamt Project, Copenhagen Art Festival, Copenhague (DK).

Conferences and Talks:

2021
xCoAx 2021: 9th Conference on Computation, Communication, Aesthetics & X, participant at the Doctoral Symposium, Graz (AT) – online.

2019
Affects,self-fulfilling profecies and automatisms, with Juan Manuel Aragüés and Ernesto Clar, Etopia: Centfor Art and Technology, Zaragoza (ES).
Advisor at Women TechMakers Zaragoza 2019, Etopia. Center for Art and Technology, Zaragoza, (ES).
‘1914-2014’ -Conversation with Jaime Vallaure, Círculo de Bellas Artes, Madrid (ES).

2018
ON ART VIII, Edificio de Bellas Artes, Universidad de Zaragoza, Campus de Teruel (ES). 
VII Jornadas TIC’18 Cultural Creation in Spanish, Cultural Center Miguel Delibes, Valladolid (ES).

2017
WomenTechMakers Zaragoza, Etopia. Center for Art and Technology, Zaragoza (ES).

2016
xCoAx 2016, GAMeC, Bergamo (IT).
IV Jornadas de Divulgación Innovadora, Etopia. Center for Art and Technology, Zaragoza (ES).

Workshops:

2021
(Des)cifradores de mensajes. Etopia Kids Family, Etopia: Center for Art and Technology, Zaragoza (ES)

2020
Survivors on Lost Planet: recycling and design
2D and 3D, Harinera ZGZ, Zaragoza, (ES).

ArTduino: training in Arduino as a creative tool for primary
school teachers, Centro de Profesorado María de Ávila, Zaragoza (ES).

2019
Code && Poetry: Automatism and Message Reinterpretation, Etopía: Centro de Arte y Tecnología, Zaragoza, (ES).
‘Animando Palabras’, Harinera ZGZ, Zaragoza (ES).
La palabra … no está en el Diccionario’, Instituto Cervantes, Madrid (ES).
International Day of Women and Girls in Science, Etopia. Center for Art and Technology, Zaragoza (ES).
‘Animando Palabras’, Biblioteca Municipal de Mallén, Zaragoza (ES).
‘Sensonautas’, Etopia. Center for Art and Technology, Zaragoza (ES).
‘1914-2014: Visibilización y Reciclaje de Palabras Muertas, Instituto Cervantes, Madrid (ES).

2018
‘1914-2014: Visibilización y Reciclaje de Palabras Muertas’, La Harinera, Zaragoza (ES).
‘La palabra… no está en el diccionario’, MUSAC/DEAC, León (ES). 

Performances:

2021
Rinawi’ abalar with Mariana Arteaga. Dunkelkammer Sessions, Linz Sounds (AT) & Casa del Lago UNAM (MX).
2019
1914-2014.Presentacción. Performance with Giusseppe Domínguez, Instituto Cervantes, Madrid (ES).
2018
1914-2014. Presentacción. Performance with Giusseppe Domínguez, MUSAC: Contemporary Art Museum of Castilla y León, León (ES).

Publications:

‘BullShut App: A Social Interface to avoid small talk’ in xCoAx 2016: Proceedings of the Fourth Conference on Computation, Communication, Aesthetics and X. (pp.369-373) ISBN: 978-989-746-094-4; 412 pages.

‘Beyond Code Poetry: an Exploration of Programming Languages Performed from the Artistic Practice’: Proceedings of the Ninth Conference on Computation, Communication, Aesthetics and X. (pp.) ISBN 978-989-9049-06-2; 629 pages.