CV
Marta Pérez Campos, 1990, Zaragoza (ES).
Visiting Predoctoral Research Fellow, Institut Medien, Kunstuniversität Linz, (March-May 2023), (AT).
PhD candidate at the Department of Art and Technology, UPV/EHU: University of the Basque Country. Bilbao (2019 – present), (ES).
Master Interface Cultures at the Kunstuniversität Linz (2014 – 2018), (AT).
Bachelor in Fine Arts at the University of Zaragoza (2008-2012), (ES).
Scholarships and Awards:
2023
Artistic production scholarship at Casa de Velázquez, Madrid (ES)
2021
Selected to receive one of the 15 Research Grants in Social Sciences and Humanities of the Banco Sabadell Foundation.
2017
Research residency at IAMAS: Institute of Advanced Media Arts and Sciences, Gifu (JP).
Artistic Residencies:
2019
Hedy Lamarr FZCC, Etopia. Center for Art and Technology, Zaragoza (ES).
2018
Open Call Laboratory 987, MUSAC: Contemporary Art Museum of Castilla y León, León (ES).
2016
Reverberadas: European Network of Art and Science, Etopia: Center for Art and Technology, Zaragoza (ES).
Solo Exhibitions:
2021
1914-2014, Centro de Historias, Zaragoza, (ES).
2019
1914-2014, Instituto Cervantes, Madrid, (ES).
2018
1914-2014, MUSAC: Contemporary Art Museum of Castilla y León, León (ES).
2012
The error and the voice, exhibition room CMU Pablo Serrano, University of Zaragoza, Teruel (ES).
Group Exhibitions:
2024
Ludic Aesthetics: Processing Community Day 2024, online exhibition, FBAUP Porto, (PT).
Encura Revolución Horizontal II: Conjurar el vínculo. Casa de Velázquez, Madrid (ES).
2022
The Wrong Biennale nº5, online exhibition, round & round we go Pavilion.
2020
Cinco itinerarios con un punto de vista. Colección MUSAC. MUSAC: Contemporary Art Museum of Castilla y León, León (ES).
2018
Somos Makers, Etopia. Center for Art and Technology, Zaragoza (ES).
BestOFF 2018, Kunstuniversität Linz, Linz (AT).
I International Congress Atenea: Women artists, technologists, UPV Valencia, Valencia (ES).
BMM: Bienal Miradas de Mujeres, online exhibition.
2017
The Wrong – New Digital Art Biennale, Equivocations Pavilion, online exhibition.
Schmiede – Playground of Ideas, Hallein, Austria.
Plastic Planet, Azkuna Zentroa, Bilbao (ES).
Participant at ‘Diffractive Interfaces’, Sonar 2017, Barcelona (ES).
IVAHM International VideoArt Festival, Centro de Artes de Vanguardia La Neomudejar, Madrid (ES).
Selected project at Tricky Women Festival 2017,Vienna (AT).
Appdate. Ausstellung zu App-Kulturen und App-Kunst, Neuwerk in Konstanz (DE).
2016
IV Jornadas de Divulgación Innovadora, Etopia. Center for Art and Technology, Zaragoza (ES).
xCoAx 2016, GAMeC, Bergamo (IT).
Reverberadas: Exploraciones sobre arte digital y ciencia, Etopia. Center for Art and Technology, Zaragoza (ES).
“9 encuentros”. Exposición colectiva de nueve graduados en Bellas Artes, Teruel (ES).
‘Lange Nacht der Forschung’ exhibition, Kunstuniversität Linz (AT).
Splace Magazine exhibition, Kunstuniversität Linz (AT).
Selected project at Radar Award 2016 – student film program, Metro Kino, Vienna (AT).
2015
The Wrong. New Digital Art Biennale, Interface Changes Cultures Pavillion, online exhibition.
push.conference – UX UI Creative Technology, Alte Kongresshalle, Munich (DE).
Post Post: Interface Culture @ Ars Electronica 2015, Linz (AT).
Into the Web – Web Sciences Journal, Kunstuniversität Linz (AT).
IVAHM International VideoArt Festival, Centro de Artes de Vanguardia La Neomudejar, Madrid (ES).
IV Festival Aragonés de Cine y Mujer, Andorra, Teruel (ES).
Unmade Displays, FilmForumFestival Udine, Udine (IT)
Muggesturm am Müggelsee, Alte Schule Adlershof, Berlin (DE).
2014
Interface Culture Musikkapelle, bb15, Linz (AT).
„I <3 Kunst”, Kunsthalle at Kunsthochschule Weissensee, Berlin (DE).
Sesión POOL (with Galería Alternativa), Campo de Cebada, Madrid (ES).
2013
Proyector13. 6º Festival Internacional de Videoarte, Madrid (ES).
„Reflejos“, Galeria Alternativa, Zaragoza (ES).
2012
De la Web a la Pared, IAACC Pablo Serrano, Zaragoza (ES).
Lars von Triers „Gesamt Project, Copenhagen Art Festival, Copenhague (DK).
Conferences and Talks:
2024
Politics of Machines. POM Aachen – lifelikness & beyond: ‘Unveiling New Voices: Exploring Non-Human Perspectives in the Era of Algorithmic
Discourses’, RWTH Aachen University, (DE).
Speakers’s Corner ARCO Madrid & Arts Libris, The artist’s book as a link between the immaterial and the physical, Foro ARCO, Madrid (ES).
2023
I Conference on Art and AI: Artistic practices and thinking around the technological turn and Artificial Intelligences, UPV/EHU, Bilbao (ES).
Ideas Digitales. Roundtable: «Creación transdisciplinar, digitalización y nuevos medios». Etopia: Center for Art and Technology, Zaragoza (ES).
The Secret Life of Algorithms, Kunstuniversität Linz, Linz (AT).
2022
ISEA 2022: 27th International Symposium on Electronic Art, CCCB, Barcelona (ES).
El lenguaje y la (in)comunicación humana, Ciclo de conversaciones “Arte y Enseñanza”, Universidad San Jorge, Zaragoza, (ES).
2021
xCoAx 2021: 9th Conference on Computation, Communication, Aesthetics & X, participant at the Doctoral Symposium, Graz (AT) – online.
2019
Affects,self-fulfilling profecies and automatisms, with Juan Manuel Aragüés and Ernesto Clar, Etopia: Centfor Art and Technology, Zaragoza (ES).
Advisor at Women TechMakers Zaragoza 2019, Etopia. Center for Art and Technology, Zaragoza, (ES).
‘1914-2014’ -Conversation with Jaime Vallaure, Círculo de Bellas Artes, Madrid (ES).
2018
ON ART VIII, Edificio de Bellas Artes, Universidad de Zaragoza, Campus de Teruel (ES).
VII Jornadas TIC’18 Cultural Creation in Spanish, Cultural Center Miguel Delibes, Valladolid (ES).
2017
WomenTechMakers Zaragoza, Etopia. Center for Art and Technology, Zaragoza (ES).
2016
xCoAx 2016, GAMeC, Bergamo (IT).
IV Jornadas de Divulgación Innovadora, Etopia. Center for Art and Technology, Zaragoza (ES).
Workshops:
2023
Aesthetic and Pedagogical Implications of Software. Kunstuniversität Linz, Linz (AT).
2022
Birlibirloque de palabras: artistic cocreation session, Asociación AFDA, Centro Joaquín Roncal, Zaragoza (ES).
Light colors and screens, Etopia Kids Family, Etopia: Center for Art and Technology, Zaragoza (ES).
Technological challenges in early childhood and primary education: wearables + Lilypad, Centro de Profesorado María de Ávila, Zaragoza (ES).
About Ada Lovelace, Etopia Kids Family, Etopia: Center for Art and Technology, Zaragoza (ES).
2021
Here is a rather peculiar interface, Etopia Kids Family, Etopia: Center for Art and Technology, Zaragoza (ES)
(Des)cifradores de mensajes. Etopia Kids Family, Etopia: Center for Art and Technology, Zaragoza (ES)
2020
Survivors on Lost Planet: recycling and design
2D and 3D, Harinera ZGZ, Zaragoza, (ES).
ArTduino: training in Arduino as a creative tool for primary school teachers, Centro de Profesorado María de Ávila, Zaragoza (ES).
2019
Code && Poetry: Automatism and Message Reinterpretation, Etopia: Center for Art and Technology, Zaragoza, (ES).
‘Animando Palabras’, Harinera ZGZ, Zaragoza (ES).
La palabra … no está en el Diccionario’, Instituto Cervantes, Madrid (ES).
International Day of Women and Girls in Science, Etopia. Center for Art and Technology, Zaragoza (ES).
‘Animando Palabras’, Biblioteca Municipal de Mallén, Zaragoza (ES).
‘Sensonautas’, Etopia. Center for Art and Technology, Zaragoza (ES).
‘1914-2014: Visibilización y Reciclaje de Palabras Muertas, Instituto Cervantes, Madrid (ES).
2018
‘1914-2014: Visibilization and Recycling of Dead Words’, La Harinera, Zaragoza (ES).
‘The word… is not in the dictionary’, MUSAC/DEAC, León (ES).
Performances:
2021
Rinawi’ abalar with Mariana Arteaga. Dunkelkammer Sessions, Linz Sounds (AT) & Casa del Lago UNAM (MX).
2019
1914-2014. Presentacción. Performance with Giusseppe Domínguez, Instituto Cervantes, Madrid (ES).
2018
1914-2014. Presentacción. Performance with Giusseppe Domínguez, MUSAC: Contemporary Art Museum of Castilla y León, León (ES).
Publications:
Pérez-Campos, M. (2024). Software on the Spotlight and its Eventual Cloistering. Proceedings of EVA London 2024 (EVA 2024). http://dx.doi.org/10.14236/ewic/EVA2024.31
Pérez-Campos, M. (2024). Funciones estéticas y pedagógicas del software: una reflexión teórico-práctica con estudantes de máster. ANIAV -Revista de Investigación en Artes Visuales, Núm. 14. https://doi.org/10.4995/aniav.2024.20454
Pérez-Campos, M. (2022). Taller (Des)cifradores de mensajes: Una manera de presentar el funcionamiento interno de un compilador a niños de 6 a 12 años desde la experimentación artística. Artnodes, 0(30). https://doi.org/10.7238/artnodes.v0i30.400553
Pérez-Campos, M. (2022). The Process of Word Automation: From the Spoken Word to the Algorithm. ISEA2022, International Symposium on Electronic Art, Barcelona. Proceedings. ISEA2022, International Symposium on Electronic Art, Barcelona. https://doi.org/10.7238/ISEA2022.Proceedings